
Tired ClichÉs
Installation: 25/8 Gallery Harvard Square
Tired Clichés is a solo exhibition by Isola Murray, where nature and urban life collide. A cozy, chaotic household materializes, inhabited by a cast of beloved animal archetypes. Inspired by the way nature finds a way to thrive in cities—whether in a hidden garden or a green space between buildings—Murray’s work brings to life a playful menagerie of papier-mâché and mixed-media creatures that hover between two- and three-dimensional spaces.
With a background in traditional media and a deep love for fauna and fable, Murray references the animals and plants tied to specific sites, drawing on their symbolic histories to create characters that feel both familiar and delightfully absurd. From Celeste, the no-nonsense horse who is the voice of reason, to Muriel, the gossiping sheep, to Algernon, the dandy goat, each character reflects Murray’s fascination with personality and place.
Tired Clichés invites viewers into a world where tired old stories and familiar characters find new life. It’s a celebration of nature’s resilience, the humor in daily life, and the unexpected joys of a world built on whimsy, wit, and heart.
—Introduction text written by Yolanda He Yang. Installation made possible by Behind VA Shadows.
The Film
Tired Clichés is a short film developed in collaboration with the filmmaker, Tristan Calvo-Studdy. It complements the themes of nature and family in the exhibit while incorporating Calvo-Studdy’s cinematic stylings. The film features a roll call of Murray’s characters, drawing inspiration from vintage video puppet shows like Baby Einsteins. We see the animals walking in and out of frame, bringing them to life and revealing their individual personalities. The filmmaker evokes feelings of nostalgia through his utilization of the VHS medium, transporting us to a time of childhood innocence. The result is a formal introduction to Murray’s world of rest and relaxation, with careful attention given to each member of her animal family.
Tristan and I became friends while working at the ICA. I took his habit of scribbling in small notebooks to mean he was “good people.” This was proven correct in more ways than one; through him I also met the wonderful Maddie. The two of them have such an ability to create narrative, and to let it get weird. When we learned of our shared love for puppets, a collaboration was inevitable.